Thinking about position should begin when you arrive on site. Try to get the best possible viewpoint – check different places nearby, kneel, sit or lie down if necessary (did you bring a bin bag?) Compare today’s featured photograph with the one below. Both are images of the Millennium bridge in London, but the one below – apart from being a daylight shot – is a typical tourist photo looking across the bridge.
From this viewpoint, for me, the image is too cluttered, too many lines competing for attention, litter, no clear subject.
Sometimes, however, you can be spoiled for choice and you decide to photograph more than one viewpoint. This is a popular view.
This is the same jetty photographed from a different angle. Both shots are of Lake Ullswater in the English Lake District.
Have a good look around. but vary the angle that you look at your subject – look up and look down. Look at what’s behind you – it may be more interesting.
Here, I’m in London, in the Square Mile of the financial district, but I’m looking upwards.
Here, I’m in London again, inside Heals’ department store, looking down from the top of the spiral staircase.
Sometimes, if you look around you you’ll see interesting reflections or shadows. This shot is of the Gherkin Building in London
I was driving into my local town when I noticed these shadows, so I turned off the road, parked my car and walked back to take the shot.
Sometimes it’s just a question of noticing an unusual viewpoint. I was kneeling down when I took this photo in Blackpool. Everything seems to be bending away from the wind.
While you are looking, consider where the light is coming from. In landscape photography, sometimes you need to wait for the sun to come from behind a cloud, or to light some hills differently. In portrait photography, you may want the light to come from – or to appear to come from – above and to one side of the subject.
Whatever you are photographing, are there any objects in the scene that could spoil your composition – road signs, bins etc? Think especially of things that are at the side of your frame that could distract a viewer,.
Last, but not least – make sure that you are working in a safe position – for yourself and your equipment.
I took today’s featured photograph in London, at night using a Pentax K-1 36 MP full frame camera using a 15-30 mm f/2.8 lens at 30 mm and f/7.1. The ISO was 100 and the Shutter Speed 30 seconds. I used a tripod. No filters were needed.
Tomorrow, I’ll have a brief look at aspects of photographing distant objects.